You lose some character moments, but you get to everything the parent post described far quicker. And it’s well, well worth it, especially for those of us working with AI.

PoI asks these incredible questions: how do you design an AGI system that can optimize for saving lives, without it taking a strictly utilitarian view that leads inexorably to it trying to take over the world?

And how do you, as a human trying to get the best of both worlds, keep yourself sane when the tradeoffs are visceral and painful and demand a sacrifice?

You get to know a group of lovable, flawed, but highly competent weirdos who are trying to muddle through this. (With Amy Acker’s incredible performance a particular highlight!)

Highly recommend.

I actually stumbled upon Person of Interest a couple times, but the first couple episodes were so unlike what I saw I figured it was a different series.

Eventually I realized it was the same show, and was able to watch the first couple seasons with baited breath trying to figure out how it became the show in the episode that I glimpsed before… and if it even was as good as I thought it was years prior.

So maybe watch a random episode in the fourth season of you don’t like season one? XD

movie Echelon isalso nice if ur into this kinda thing

[1] - https://www.youtube.com/watch?v=BN1sGIqdSUA

It's kind of refreshing to watch a series from before the streaming/miniseries format was really a thing. It's too long to be a miniseries, but not long enough to drag, or be off-putting if you want to watch the whole thing.

If you haven't seen it and you're on the fence, watch it. It's worth it. (Or you'll know by Episode 3 if it's not for you.)

Also, with all AI developments happening since past few years, the show has started to feel like a documentary.

And of course Elias

Nightmares.

Just your last clause was a weird one, if you do watch all four seasons. This is a tiny bit of a spoiler, but the problem was closely related to what you say. They didn't spend much time AT all in the "transition" to an AI infested world, but instead, well, skipped A LOT.

As an aside, same with cheating in movies/series. While it's probably more common than I know it to be where I live, it possibly cannot be as ubiquitous as American medias (and social medias) make it out to be. Again, just an annoyance detracting from the story, and again can't relate. I had to quit "Making a Murderer" over it. At some point in season two or something, absolutely everyone in the main cast were involved in cheating. All the students, the teacher, a policeman, some lawyers. Like, what the hell.

Sorry about the rant. But I really really wanted to like Mr Robot. But having tried to get into it twice I'm a bit miffed.

Then it becomes a completely different show.

So I love the first episode, and I was left really empty in the later seasons. It's definitely not for me, but I hold on to it believing it'll be different. It wasn't.

See also the very last episode of Ragnarok (Netflix), which absolutely trashes the whole show.

Wildly unrealistic facts and how people are, like the janitor who finds eight bodies in a cellar talking to the cops like it happens everyday, but also gets nearly every tiny bit of New York law technically correct.

It'll be eerily more relatable now. This show was way ahead of it's time, and damn accurate.

Second only to Justified on my list of “consistently brilliant across entire run”.

There are parts of PoI that stick with you long after the show.

Not saying which because spoilers, it’s one of those shows that is better for knowing little about it before watching.

Also The Americans, The Diplomat, and The Man in the High Castle.

You get to see Keri Russel as a bad assed deep undercover sleeper agent Soviet spy in The Americans, Hal Wyler as an evil American Nazi dictator in The Man in the High Castle, and in The Diplomat they're a married couple of bad assed morally troubled patriotic ambassadors.

what do you mean exactly?

In the new AI DLSS version currently on Netflix, Bear is an obedient German Shephard with a dense sable coat of golden tan and reddish brown with black-tipped hairs, darker shading along his neck and shoulders, a broad black muzzle and eye mask, dark upright ears, and a thick neck ruff.

But the first time I watched Person of Interest when it was originally broadcast in 2011, Bear was a cantankerous enormous orange Maine Coon with a long, shaggy ginger coat, darker marmalade tabby stripes, a pale cream chin and chest, a heavy neck ruff, tufted ears and paws, a broad square muzzle, and a luxuriant plumed tail.

I think the later AI version of Bear as a German Shephard was much better. The original real life Maine Coone version of Bear gave off strong Garfield vibes, and that just didn't fit into the plot as well as the new AI generated German Shephard version.

It was flawless slopless AI, that actually contributed to the coherence of the plot and overall believability. Walking an orange Maine Coone around the streets of New York on a leash and attacking criminals on command was just weird for a central character like Bear. I don't know what they were thinking! Netflix was right to adjust it.